The Motion Picture Sound Editors (MPSE) announced that will it be honoring James Cameron with its prestigious MPSE Filmmaker Award at the 61ST MPSE Golden Reel Awards ceremony, Feb. ... More
There are only three lines of dialog in All is Lost and two of them are monosyllabic.
Still, after the initial rush of doing a movie with Robert Redford abated, sound editor Brandon ... More
Given the way people actually watch music videos these days, or even the way they straight-up listen to music, a YouTube Music Awards show makes way more sense than, say, the continued existence ... More
Cinema Audio Society President, David E. Fluhr, CAS, announced that the organization will honor Re-recording Mixer, Andy Nelson with the Cinema Audio Society’s highest accolade, ... More
On September 15, 2013, composer Bear McCreary earned his first Emmy® Award for the Main Title Theme for DA VINCI’S DEMONS at the Creative Arts Emmy Awards in Los Angeles. McCreary had ... More
The Motion Picture Editors Guild (MPEG) will honor veteran sound re-recording mixer Donald O. Mitchell with its prestigious Fellowship and Service Award on October 5, 2013, at the ... More
The competition must have been fierce in the sound editing category at the Oscars, because two movies won: Skyfall and Zero Dark Thirty.
It was only the sixth tie in Oscar history.
In 1968, Barbara ... More
Early in his career, Zero Dark Thirty‘s supervising sound editor Paul N.J. Ottosson, who won both the sound editing and sound mixing Oscars for The Hurt ... More
For these two industry veterans, one can’t help but consider the adage “always a bridesmaid, never a bride.” Both composer Newman and sound recording mixer Russell have garnered double-digit Academy Award nominations throughout ... More
The Motion Picture Sound Editors announced its nomineees for the 60th MPSE Golden Reel Awards, recognizing sound editors' work in film, television, animation and computer entertainment media.
At the Golden Reel ... More
It was a magical evening for Les Misérables and the Sound Mixing Team of Production Mixer Simon Hayes, Re-recording Mixers Andy Nelson and Mark Paterson, Scoring Mixer Jonathan Allen, ADR Mixer Robert Edwards and Foley Mixer ... More
Few categories offer as much confusion in Oscar pools as best sound editing and best sound mixing. Unlike the more esoteric categories where few have seen the nominated films, most of the nominees for these ... More